Monday, 22 April 2019


Title: Shadowlore Compilation Two
Format: An online compendium of dark ambient and dungeon synth recordings on the Hollow Myths label (USA), cat ref HM042.  This was released on 21 December 2018 in an array of online formats (WAV, FLAC, MP3 etc) and it is suggested that a so-called ‘tape trader’ promo version might be doing the rounds somewhere out there too.  Cover photo by Jan Hartman, layout, photos & selections attributed to Canrith Knox.
Edition: Online download is unlimited.  The limitation on the promo tape is unknown.

Track Listing:
01. Knell Of Dawn  *  The Horse Clans Of Kaalar Vale 8:53
02. Master Scarecrow  *  All Around 3:15
03. Velvet Tears  *  Old World 3:51
04. Iagon  *  Long Rest 2:43
05. Torrmal  *  Reign Of Wraiths 4:51
06. Gargamel  *  Procession For A Fallen Knight 2:52
07. Kráśnôkladśo  *  Pred Bitkou 3:59
08. Niair de Nasqda  *  Enth 1:56
09. Seregost  *  The Shores Of Winterlorn 9:28
10. Drachenfeuer  *  Dagor Bragollach 7:48
11. Vampire Tower  *  Up to the Dungeon 10:03
12. Thyne Lyght Illusory  *  Devoured By Lyght 6:29
13. Vandalorum  *  Shrouded Remains 3:50
14. Malfet  *  Dim Arbours 5:32
15. Frohvahr  *  Wintry Quiescence At Night 2:59
16. Forgotten Land  *  Snegurochka 11:09
17. Messor Barbarus  *  Idea III. Of Protection 3:09
18. Woodland Crypt  *  The Green Man 6:52
19. Ancient Sword  *  Night Wanderer 6:43
20. Rêvoeil  *  Surrender To Slumber 2:55
21. Dryads  *  To Cross Ice Bridges With An Iron Horse 4:49
22. Death Adder  *  Clovenhoofed 3:56
23.  .rar  *  Oasis Of Reflective Wandering Spirits 3:36
24. Ordo Maleficarum  *  The Ancient Witchcraft Lives So Far 4:50
25. Black Blight  *  Alexandrea 5:56

Well it’s a rare treat to welcome back Drachenfeur into Honour and Darkness: as one of Hugin’s last but least productive projects (a joint band with UK ambient legend Jim Kirkwood, who has now all but ceased his musical endeavours) it’s a much missed enterprise. 

This is, of course, Volume Two in the ongoing Shadowlore series of online Dungeon Synth and Dark Ambient compilations.  Except that there appears to be a promo tape doing the rounds too, so strictly speaking it’s not just an online project any more.  Anyway, it follows on from Nazgul’s review of the first volume back in November and is equally excellent in its scope and content. 

The great thing about this sort of release is that it signposts you directly to the band’s own pages, where you can find downloadable goodies and merchandise aplenty.  A sure fire way of emptying your wallet. 

Tuesday, 16 April 2019

ABSINTHE - update

Title: Absinthe
Reason for update: Second copy with different book page!

Amazing as it seems, the last time we had a look at the split B-Machina/Kreuzer CD release "Absinthe" was almost exactly 9 years and 1 week ago.

Where on earth has that time gone?!

Anyway, as you may recall from the days when Nazgul posted little updates like this, occasionally duplicate copies of things find their way into the Castle and occasionally these have subtle differences from the original release covered on the blog.

Such is the case today, with this limited-to-50 copies release.  Each copy came wrapped in a page from "Das Dichterische Werk" by Georg Trakl, Nazgul's first version bearing the actual book cover as its wraparound.

This second copy, recently acquired, sports page 49/50, which presumably puts it about half way through the limited run of CD's (with two pages per sheet per CD, it would make this copy circa #26 if you allow for the cover not being a numbered page, so CD #2 had pages 1/2 etc.)

You can see some discolouration on the page from where sunlight has bleached the paper as it sits on the spine.

Strangely apposite that in a limited edition of 50 copies, this should bear page 50.

Only another 40-something copies to buy now, to put the book back together again....

Sunday, 14 April 2019


Title: Take Me Away From All This Life [Various Artists]
Reason for update: A physical copy of this release now in the collection

Yes, stand back in amazement, it's Nazgul again: twice in a month, and on successive days no less.  Wonders never cease.

Today's short post is to update you about this curiosity, which featured in Honour and Darkness just after Christmas.

At that time it was merely a strange compendium of Dungeon Synth and associated acts that was being advertised by Hungarian label, Translucent Black Capes.  With the wonders of the internet being as they are, Nazgul successfully contacted the label and lo and behold - a physical copy of the item has now been procured for the archives.

It's a nicely put together release too, with some quality artwork on the covers and disc, and a thick card front inlay.  Makes a nice change from some of the more shonky d-i-y releases that pop up around the world.

The plan is now to stick this in the car and give it a good listen, hopefully not repeating the disc-breaking exercise recorded in my last post.  There's some interesting artists on here, some Nazgul is familiar with from recent forays into the DS underground (Algiz Dawn and Bitter Old Wizard being two) but many yet to be discovered, so it promises to be an enjoyable exploration.

Saturday, 13 April 2019


Title: Die Kriege Von Beleriand (Teil 2)
Format: CDr in DVD-sized case, released on the Kriastallblut label in 2015 (no cat reference).  The CDr disc is deep red in colour.
Edition: Unknown, though presumed to be a limited edition

Track Listing:
01. Schlacht Des Jehen Fevers  14.54
02. Schlacht Der Ungezahlten Tranen  13.30
03. Krieg Des Zorns  19.16

It hasn't been a vintage year for Honour and Darkness so far into 2019, that much is painfully apparent.  A paucity of posts, and you'll all be thinking that Nazgul has fallen off his twig and that things have all but ended on the blog front.

Well, let's hope that this post will help to turn the ship around.

The past 4 or 5 months have been a difficult time, as regular readers will know.  I lost my father near to the end of 2018, and much has had to be done since to help my mum with legal and financial matters.  My day job has also exponentially increased in the amount of time I need to dedicate to it, and a growing family means other pressures of life have cut heavily into Honour and Darkness time.

Indeed, this is the first year since I started this blog that I've failed to honour Hugin's birthday on the day - and on his 50th anniversary on Planet Earth too: hang my head in shame - and I even miserably failed to mark the 10th anniversary of Honour and Darkness.  There's still time to join in with the celebratory 20th anniversary year of Uruk Hai though, thank goodness.

The reason for all of this preamble is to explain a little (I feel I owe you all that) why posts have been more than sporadic recently.  I've therefore decided to mix things up a little around here, and rather than try to replicate the lengthy and more detailed posts of yore (oh, for the days when I had time to do that) I'm getting on with things with a touch more brevity.

"Thank God for that," you all cry, and who can blame you?

The item you see before you today actually caused a certain amount of writer's block when it hit the death-deck, and it's been kicking around the Castle for a while being listened to in an attempt to summon the right words to describe it without sounding like a repeat of every other old-school Uruk Hai post I've put up here.

I figured that if I took it with me on a business trip that I needed to make (another 6 hour car journey) your old Uncle Nazgul would be able to give it the time and attention it needed on his journey to make some better sense of it.

Alas: early in the trip an entirely unforeseeable set of circumstances involving a spare tyre, a wheel jack and a poorly positioned bag led to the unfortunate result that you see below - physically breaking the disc!

Curses!  When Nazgul said this was a cracking records, he meant … oh well, never mind
So not only can I not play it at all now, I have an imperfect memory of it from past plays.  Hence the brevity plan (incidentally, that words reminds me that you can tell how long it has been since any meaningful posts have been put up as Nazgul has barely - if at all - referenced the Brexit shambles that is afflicting his country).

What I can tell you is that the original music was recorded back in November 2014 as part of the Beleriand trilogy, and it crosses the line regularly between Hrossharsgrani and Uruk Hai soundscapes.  It's definitely one for fans of the earlier, rawer period of this seminal band, and whilst not the easiest listen in the world is certainly a curio and artifact from the past.

Right - that's the hard bit done.  The muse is back upon me.  Now all Nazgul has to do is to capitalise on this new found momentum and get back to some regular posting.  Fingers crossed everybody, fingers crossed...